Stephen Graham Jones

hey, just got a note that that Cult interview’s live. It was my first IM-thing since ICQ debuted, back years and years and years ago. was a blast.

• Interview

first, the whole event: AWP Conference.

next, my part:

• Thursday March 9th, 10:00 – 10:45: a booksigning for Bleed Into Me. I’d guess this’ll be at the University of Nebraska Press table in whatever big room’s got all the tables/journals/etc.
• Thursday, March 9th, 12:00 – 1:15: a panel (“A Reading by the Faculty of Texas Tech”). not sure if it’s posted yet which room this’ll happen in, but there’ll be schedul

• “Raphael,” in Cemetery Dance
• “Jumpers,” in Fresh Boiled Peanuts
• “Adultery: a Failing Sestina,” Behind the Short Story
• “The Fatherland is Rich and Varied,” Liquid Ohio (but they’re on hiatus or something…)
• twenty definitions in Home Ground: a Literary Glossary of the Landscape and Language (Trinity University Press) (Barry Lopez, ed.)
  
• also was supposed to have a zombie-piece published at Halcyon, b

was paging through a few-months-old notebook and stumbled on this, which I’d copied down from Antonia Quirke’s bfi book on JAWS. brilliant, brilliant stuff:

There are two types of monsters. The first is our incarnation of fear. King Kong, Dracula, Godzilla. The other, of which the first sharkless hour of Jaws is a supreme example, is the inflection of the whole landscape with fear. Virus horrors, the Maryland woods of the Blair Witch, Hanging Rock. In the first

No excuse for it, I’m sure, but somehow I missed BEWITCHED when it was at the theater. I mean, I loved the series–it’s kind of been instrumental to my whole identity-formation-thing (it and I DREAM OF JEANNIE)–but had doubts they’d be able to cast an Esmerelda as good as the original. if I’m getting the name wrong, I’m talking about the mom-in-law there. Anyway, just got this in my inbox, from a friend: it’s a still from BEWI…

hey, just realized that maybe all of you (or, one of you, or, hi mom, I don’t know) didn’t have the cool MacAdam/Cage catalog like I do. so I stuffed the Demon Theory pages in the scanner, which was a lot more complicated than I’d anticipated, the catalog being oversized, but, after I got everything straightened out, wound up with some 12MB img, which is ridiculous to try to make clickable. so I sucked it into a PDF, which you should get if you click the image here…

if you click somewhere and, I don’t know, something bad or unexpected happens, or if you’re having trouble with some form, with display in some browser, anything along those lines, put a comment down under this if you want, please. We’ll try to get on it (where ‘we’ = ‘I’).…

IS THIS SITE OFFICIAL?

see the Author faq.

I DIDN’T TYPE IN ‘DEMONTHEORY.NET,’ YET THAT’S WHAT’S IN MY ADDRESS BAR.

still playing with that, when I can remember to. have ‘stephengrahamjones.net’ and ‘stephengrahamjones.com’ writing themselves over ‘demontheory.net’ for a while, if that’s the link you clicked to get here. but yeah, the three domains/URLs/addresses: they all resolve t

Hysteria Lives has a clip of The Burning, that cool kill-scene on the raft. Just click here, scroll down a bit.

Too, Cheesebrothers has an audio snippet of that excellent song from the end of Don’t Go Into the Woods: go there (mp3 link’s down at the bottom, after the rvw).…

The first is central to Seven Spanish Angels, the second kind of prescient to Demon Theory:

[ click them for the larger img ]

That monkeys-img is thanks to a reader. the cite on it, I think, is: by Massimo Carnivale. it’s the cover for the 40th issue of that Y the Last Man comic (Brian K. Vaughn).…