Stephen Graham Jones

In Georgia, I mean, where I just was (GC&SU) to do a reading and meet many cool people. All kinds of fun (no recordings or pics that I know of, though); they have really old buildings there. I think some of them are Roman, even. And, Lobo — he was out of Georgia, right? I seem to remember the opening credits showing downtown Atlanta. Anyway, I miss him. It was only a thirty-minute show, as I recall, not a full hour like the Dukes got, but still, I mean, BJ & the Bear? You c…

Was poring through some story or novel the other day, to submit it, and realized, now that the story was more or less in place, at least until somebody else jammed their hands into it, that all I was looking at were the words, the sentences. Which is nice, yeah, makes a piece feel ‘done.’ Like Carver’s supposed to have said, he knew it was time to step away from a piece when all he was doing anymore was changing commas (but yeah, look at the differences in his “…

• if anybody’s carrying a bag of groceries, it won’t have French bread in it
• nobody will flick playing cards into and around a trashcan or hat
• if the characters need to hack into somebody’s computer, the password will be unguessable
• if there’s some big and final showdown on a boat, then it won’t be finally decided with a flare gun
• if somebody cuts their wrists in the bathtub, there won’t be a lit candle there
• if there’s a detective of a

Too, that “monkey torture” — thanks to Carolyn for suggesting YouTube — it’s (t)here. And, talking Lindsay Ballard — this is kind of from the podcast — that alien race, they’re the Kobali, of course, from the “Ashes to Ashes” episode of Star Trek Voyager. Which I know because I’m cool. As to why I love it, though, that’s complicated, but com…

Just got word that that “Raphael” story from Cemetery Dance 55 has made the shortlist for a Stoker. Supercool.

Here’s the whole ballot. Some pretty steep competition, I’d say:

SUPERIOR ACHIEVEMENT IN LONG FICTION
“Hallucigenia” by Laird Barron (The Magazine of Fantasy and Science Fiction)
“Graffiti” by Jason Brannon (Winds of Change)
“Winds of Change” by Jason Brannon (Winds of Change)
“The Ba

All week. Guest bloggery, interview, discussion, podcast. Should be a good time. Click the banner to go to the place:

Or, just go the main page here, to keep checking for updates.…

[ archived here in case it isn’t appearing above. ]…

• First, and this is important, get Vince Liaguno, the guy who knows slashers so well that he managed to somehow trap one on the page in The Literary Six, to have written just a supercool Demon Theory review over at Unspeakable Horror, then, moments after that,
• find out that Ellen Datlow, she who more than anybody else is probably responsible for you being a writer — her OMNI fiction being your first experience with fiction that was doing something, that was more than just wo

Benson: only the good die young
Cheers: have a good life
“You oughtta know”: grammies
bball–23 sick and scoring 55 or whatever
challenger (jfk/towers)
rockford: 50 people tell you you’re drink, maybe you oughtta lie down
uncle jesse: only one way to go down a hill. STRAIGHT down.
tasha yar: going back
chrissy to jack: save air in elevator, one nostril

pop-up video: bob seger, Screentime
seeing myself on tv: scott, rabies

also: ROCKFORD wins best op…

• “Father, Son, Holy Rabbit” will be in Cemetery Dance 57, looks like — with an excellent/cool illustration ( then “Hell on the Homefront” in #58 )
• “Code,” out in Grasslimbs before too long
• “The Parable of the Gun,” in Clackamas Literary Review
• “The Talk,” in the debut issue of Yellow Medicine Review
• “The Sadness of Two People Meeting in a Bar,” Red Rock Review
• and “Vanity of Open Sp