Stephen Graham Jones

One of my better memories is working for this seed research company fifteen years or so ago. Way out north of Lubbock, TX. There was this guy called Rooster who ran a lot of cotton and sorghum out there, fields which were all on the way to the plots we worked every day. Rooster was a shortish old guy who wore these round black sunglasses. I only ever saw him sitting in his truck. To paint it better, really, I only ever saw him sitting in his truck when I was running fast away, pretending no…

The western may be one of the few if not only genres where character development is actually at crosspurposes with audience expectations. We don’t want the passing-through cowpoke/gunhand/lawman/whatever to actually change, do we? Isn’t it all better if they stay the same? Granted, maybe a more intense version of themselves, of the self they’re trying not to be anymore, as in Tombstone, or even a reversion to who they used to be, as in in Unforgiven, but …

It’s by Roger Ebert, in his review for Nights in Rodanthe: “Paul doesn’t evacuate because of some dialogue he is made to say.” I don’t see how I could love anything more than that. It’s even better in context, too. And, as for why I was reading about Nights in Rodanthe. No idea. I was feeling around, seeing if Blindness was going to be watchable (pun?), then got all excited about Appaloosa, and suddenly, bam, there I was finding that beauti…

So, the LOST writers claim not to be lost at all. They’re not just reeling the episodes out from nothing. It’s all going somewhere, somehow, some perfect way. Moreover (first time I’m using that word. cool, yeah?), they also guarantee that this crazy upside-down inside-out unfantasy island, it’s not some form of limbo or purgatory, where dead non-MILLENIUM (the Kristofferson one) plane passengers go, and I’m guessing they’ve pro…

I’m there tomorrow night, Family Guy^* territory. Reading stuff aloud. Maybe eating a cookie or two, answering questions. Here for more specific type of info.

Too, thanks to my students, I’m now hooked into Salad Fingers. Better late than never, I figure.

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^* which I’ve still yet to ever see an episode of — though I did accidentally tune in once, some Star Wars tribute/mockery stuff going on that look…

FRINGE, yep. Best series opener I think I’ve seen. And that’s including the white bears in LOST, the aliens in X-FILES, the space jellyfish in STAR TREK NEXT GENERATION, the plummeting cheerleader in HEROES, the (if I’m remembering correctly) sewn-up mouths in MILLENIUM, the look on Tom Vail’s face when Alyson denies knowing him in NOWHERE MAN, and even the tomfoolery in BRISCO COUNTY, JR. Too, they’ve set the dynamic up well, it looks like…

from trying on just a whole lot of women’s clothes:

1) While I can wiggle into 9/10 pants or slacks, 11/12 is a lot more comfortable.

2) Extra-large in a blouse isn’t even a large in men’s sizes.

3) People will watch you, if you carry enough blouses and pants suits into the dressing room.

3b) That makes it better, really.

4) Even when I’ve got them on, still, women’s clothes are hard to get into.

5) Stretch pants are the answer. Reason: they’r

From Ledfeather. Was digging through an old box today and came across it, but now can’t find it on my hard-drive. Anyway, it’s the one I talk about in the author’s note at the end — the one that pretty much started the whole novel. It was supposed to get included in the book, too, an endpaper, on the back cover, something, but somehow isn’t. So, in lieu, here it is now (lo-res, last-minute scan, sorry).…

If only I could. But this would definitely be in there, right along with the TOTALL RECALL/2001 saga:

“The ‘Road to Perdition’ novelization was a nightmare, frankly,” Collins says. “I went after it for obvious reasons — I didn’t want a ‘Perdition’ novel written by someone else out there. I proceeded to write the best novelization of my career, staying faithful to David Self’s script — which was alre

As scanned injudiciously from the current Wired! :