Just two more things:
— got a piece (interview, not fiction) up at CU’s InPrint
— got a story coming out in Colored Chalk 5
anyway, see some of you in Portland.…
Links, that is:
— in the mail today, the French version of Native Storiers. Five stories from Bleed Into Me in it.
— the flyer for Wednesday in Portland. Which I really thought I’d linked already, but the world’s a confusing place . . .
Anyway, hopefully HEROES and TERMINATOR are both new tonight. Just bought another bike too. Becuase, yeah, that’s just what I need. Like this hasn’t already been a weekend of painkillers and muscle relaxe…
The only connection there being that I’m writing about both of them now: hit RANT the other day, and, like SNUFF, I really dug it. I’m liking the direction he’s going lately. Anyway, I guess that’s the complete text of my review there, ‘I dug it,’ but, specifically, and all spoilerly, so watch out, he does a move in RANT which is just so, so slick. But again, don’t read this if you haven’t read RANT. Anyway, there’s this …
Don’t know if everybody’s been keeping up, but over at Popmatters Marco Lanzagorta (of the never uncool “Dread Reckoning“) has been doing a Night of the Living Dead fortieth anniversay essay collection the last five days. Some ridiculously cool stuff, including a little intro from Romero. Anyway, got a piece up there today, as a Happy Halloween trick. Title / link: “The Kind of Murder Happy Characters We Have Here.” About, um, you gu…
Which really isn’t that many, I know. I mean, I used to love cueing up the whole STAR TREK series, watching them back to back. Anyway, all over the spectrum here:
…SYNECHDOCHE, NEW YORK. Free screening with Charlie Kaufman there for the Q&A. Which was great. Or, great if you like watching somebody writhe under a series of ridiculous questions. But he handles them well, seems like a good guy. And, as for SYNECHDOCHE, I don’t know. I mean, I was all over BEING JOHN M
Texas Monthly‘s been doing this serial novel, TWIN WELLS. I’ve got chapter 11. Podcast too. Here. First line: “Baldwin wished he could have mustered a bit more surprise when the dead man rose from the road in the sheriff’s headlights.”
New interview up at Rain Taxi.
And a third link too: I’m on Facebook now, finally. Been getting the invites forever, never clicked all the way through until now. This could be the link. Maybe?
And fourth non-l…
That sounds like some secret cousin to the incubus, yeah? If I’m even spelling it right. Anyway, was digging through some old stuff yesterday and found this sheet of paper from 1997, when I was finishing Fast Red Road, trying to make it all straight in my head (somewhat). Think the only other novel I’ve done something along these lines for was All the Beautiful Sinners. Though I did, a while back, while paging through some years-old notebook looking for something I …
![fried zucchini](https://www.demontheory.net/wp-admin/images/friedz.jpg)
One of my better memories is working for this seed research company fifteen years or so ago. Way out north of Lubbock, TX. There was this guy called Rooster who ran a lot of cotton and sorghum out there, fields which were all on the way to the plots we worked every day. Rooster was a shortish old guy who wore these round black sunglasses. I only ever saw him sitting in his truck. To paint it better, really, I only ever saw him sitting in his truck when I was running fast away, pretending no…
The western may be one of the few if not only genres where character development is actually at crosspurposes with audience expectations. We don’t want the passing-through cowpoke/gunhand/lawman/whatever to actually change, do we? Isn’t it all better if they stay the same? Granted, maybe a more intense version of themselves, of the self they’re trying not to be anymore, as in Tombstone, or even a reversion to who they used to be, as in in Unforgiven, but …
It’s by Roger Ebert, in his review for Nights in Rodanthe: “Paul doesn’t evacuate because of some dialogue he is made to say.” I don’t see how I could love anything more than that. It’s even better in context, too. And, as for why I was reading about Nights in Rodanthe. No idea. I was feeling around, seeing if Blindness was going to be watchable (pun?), then got all excited about Appaloosa, and suddenly, bam, there I was finding that beauti…