The real test of a novel for me is if it sparks ideas. If it makes me stop reading, flip to the back of the book, and crib down what I think is a completely bulletproof, never-before-thought-of idea.
Joe Hill’s N0S4A2 does that. I just got my copy back — loaned out the night of the reading at Tattered Cover in Denver — and, sure enough, in back and at all angles and in a hand I can hardly read are all these sure-thing best-seller pitches and immortal phrases and overheard-at-the-foodco…
[ this is the script of the pre- and post-words I gave for a charity event Cabin-screening Friday night, down in Manitou Springs ]
wolf kisses and bear traps
The slasher. We can all make a list of our ten favorite, yes? Which of course we consider the ten best. So . . . that list starts where? Psycho, Peeping Tom? Bay of Blood? Maybe, maybe not. Definitely Black Christmas in seventy-four, anyway. And let’s not forget Texas Chain Saw Massacre from that same year, which gave us a mask…
One cool place to read the second-to-last chapter of Neil Gaiman’s The Ocean at the End of the Lane is bleeding out at a donation place. A blood donation place. And, best place to read the last chapter, at least in Boulder, Colorado? Sitting in the bright bright sun in front of TimeWarp Comics.
Also cool about this big little novel is that, in a very cool way, it feels like he’s been going toward it for a while now. I mean—my American Gods is packed away for the summer, so I can’t cite thi…
Just talking World War Z. Which, I mean, I was doing that anyway, so, you know, it all worked out:
http://www.usnews.com/news/articles/2013/06/27/how-world-war-z-stands-up-to-the-zombie-film-genre
…
The first thing to get out of the way when talking the World War Z movie is the obvious thing: it’s not the novel. Whereas with Hunger Games, say, sure, there’s a lot in the novel that doesn’t end up on screen, and a lot of what does is different, but still, condense the Hunger Games novel and the Hunger Games movie to a one-sentence synopsis, and you’ve got the same thing, don’t you?
Not so with World War Z, unless the way you distill the two versions is “There’s zombies. And that sucks.…
Back when, the Pa Kent-Superboy dynamic made a certain kind of wholesome sense, didn’t it? Behind the eventual Superman’s heroism there was always this one old Kansas farmer’s values, really saving the world. There was something kind of safe and comforting about that. And, it’s not so much in opposition to the idea of an ‘alien’ being Earth’s savior as it is a championing of good parenting, sacrifice, trust—all that stuff that needs no argument.
However, Man of Steel, it’s a d…
The Matrix Syndrome. I propose that as both the name for Dan Brown’s next Robert Langdon thriller and as the condition he now writes under. Or with. Or is expressing symptoms of. Not that it’s hurting his sales or his celebrity, of course. Or, as many would have it, his infamy.
Remember how the first Matrix so wowed us to such a degree that the second and third paled in comparison? That’s how it is for Brown now, I think: everything he does falls under the long shadow of (the success of…
“Much like the mad-but-brilliant scientists in this collection’s titular story, Jones has created the tales here with experimental glee, yielding an astonishing assortment of mutated manuscripts. The investigational ‘Let’s see what happens’ mentality at play in this collection means that the story about gigantic soul-storing moonshrimp will also be told by a dime store P.I. It means that elderly love and parenting are monster-mas…
Man, check this out:
My students’ most recent project suite on @stephengjones72‘s fantastic novel, Demon Theory: gbdh.sadiron.com/demon-theory-p…
— Chuck Rybak (@ChuckRybak) April 23, 2013
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Mixer Publishing‘s letting me run all the tabs/genres this issue. Featuring a cool introduction by Brian Evenson. Seven stories in seven days, complete with story notes and an afterword.