Werewolves Out in the World, Part XV

Thinking I should have been somehow tagging these snapshots through all fourteen other iterations of this. That way I could re-index, put, say, all the Litsy ones in a gallery, all the “with pets”-ones somewhere, all the “act-of-reading” or whatever ones in another place. Categories are starting to emerge, I mean. Check the out, they’re kind of straining to self-classify:

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Writing: It Takes a Village

For the thing I’m writing right now, I of course needed info. This is just for today and yesterday, too. Here’s the process:

  • What’s a likely military-cargo plane out of the Middle East?  ➔ called my dad (retired USAF)
  • Where’s John Wayne buried? ➔ asked Google
  • How does a doctor get certified to perform surgery? ➔ facebook-mailed a doctor-friend (who’s also a writer)
  • What other Road Rage-ish kind of stories are out there? ➔ texted a friend, ende
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The Night Cyclist

Coming soon to a . . . well, to a Tor.com near you:

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Art by Keith Negley. Acquisition/Editing by Ellen Datlow

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Werewolves Out in the World, Part XIV

This week’s Mongrels roundup, brought to you by the waning battery of my ever-unreliant iPhone, and with a catch-up list provided by last week’s roundup, stairstep-style:


And? To start out, we get to go back to the dogs. Always the dogs. Thanks, Chip:

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And then for a coffee break, a mere thirty minutes before lunch:

 

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And, I think Mongrels got to be WITH a John Foster book a cy

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Sequencing a Collection

Of flash fiction, anyway. Just stumbled on this—I forget who it was for (maybe Christopher Rosales, the editor? maybe myself-only?), but I know what it was for: States of Grace. The little pocket-sized book I still can hardly believe I was lucky enough to get published. Not e-, not even on Amazon, I don’t think. And right after it was all set in stone, I started kicking out more of these short-shorts, of course. Because they’re maybe my favorite form of all. I should …

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Flatliners

Thanks to Xach Fromson for the headsup on this:

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[ link ]

Was just tweeting about it a few weeks ago, with even the same pic:

Thinking now I should maybe tweet about . . . I don’t know: Intruder? Popcorn? Some of the ones that usually don’t get remake/re-imagining considera

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Mongrels in Other People’s Pens

Some cool stuff showing up now and again. Here’s three — first couple from Jordan Dyke:

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Then me, mid-transformation, from Joe Sherry:

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And Anne Barnetson:

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And? Chances are I’ve forgot something, someone, some perfect thing. Let me know, I’ll sneak it onto this page. Like this, a recent one from Jolyon Yates. I give you . . . The Lone Changer:

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Put a line there to show that this is the new space down here. Just a blurry zoom-in from a snap somebody took at The Last Bo

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The Elvis Room Lives

So cool, watching The Elvis Room come alive these past few months, thanks to one Andrew Schwarz. I’ve seen rough cuts, and hope to see it on a big screen somewhere in its film-fest run (starting with Fantasia). Thanks to Andrew Schwarz for making it happen. Here’s some stills:

Check Under the Name Elvis Elevator ride Kat & Jody in the hall Kat Calls the Front Desk

Pictured, that’s: Keir Gilchrist, Corbin Bernson, Bailey Noble, Spencer Locke.

Also pictured: the Manor Hotel.

Not pictured in that last still: me, down that hall to Bailey Locke&

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File Under: Mongrels, Origin Stories

Or, I can’t deny that I read this like eighty-nine times in the wide-open years before ever setting werewolf pen to werewolf paper:

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Werewolves out in the World, Part XIII

If you’re just coming to this at #13, here, then, welp, there’s some clicking-back, if you’re interested—lots of masks and pets and Mongrels:

First and favorite—this doesn’t even really involve Mongrels, except insofar as Scooby-Doo is so deep in my heart it could never be extracted, and my heart’s also where Mongrels comes from:
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That’s at the top of this thread on fb (also

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