Most of the camera roll on my phone is either dead animals I find out in the world, trucks I cruise real slow by in parking lots, or comic panels I want to keep close forever. Here’s the latest, from Old Man Logan, by Andrea Sorrentino and Jeff Lemire:
The layers of this moment, right? This is Logan getting shot, which is a very kinetic story moment, but of course comic book panels aren’t animated gifs, they’re static, so the artist has to suggest ‘motion&…
Thanks, Blu, for the most amazing-cool Night of the Mannequins write-up:
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A writer I respect a lot. Honored to get to share a virtual stage with him:
Cool to have got to the do the afterword for this one:
What a stack of books for Night of the Mannequins to be in:
Been wanting to say that for so long. Anyway, heck of a nice write-up for The Only Good Indians:
My favorite line from this (of course, and with the help of google translate*):
It’s beautiful, wildly intelligent and downright touching.
All right, kind of smitten with the header image too:
* (I can actually get along all right in written French, but google translate made it faster, so: I clicked instead of using my brain. which I’m sure is one small step towards terrible things . . . )…
is the NYT bestselling author of 30 or so books, +350 stories, some comic books, and all this stuff here. He lives in Boulder, Colorado, and has a few broken-down old trucks, one PhD, and way too many boots. More